50/45
I attended Juilliard
Scenario
The spirits of a deceased couple are harassed by an unbearable family that has moved into their home, and hires a malicious spirit to drive them out shoes when he is spray-painting the walls in the house change from fire-engine red elf-looking shoes to white trainers as he walks through the bathroom and then they change back to the red elf shoes as he enters the next room.. Adam : What are your qualifications?Beetlejuice: Ah. Well… I’m a graduate of the Harvard business school. I travel quite extensively. I lived through the Black Plague and had a pretty good time during that.
NOW WHAT DO YOU THINK?
I’ve seen the EXORCIST ABOUT A HUNDRED AND SIXTY-SEVEN TIMES, AND IT KEEPS GETTING FUNNIER EVERY SINGLE TIME I SEE IT… NOT TO MENTION THE FACT THAT YOU’RE TALKING TO A DEAD GUY… Do you think I’m qualified?. The Geffen Company logo is accompanied by a ghoulish version of the Banana Boat song (sung by the film's composer Danny Elfman). This version of the film runs around 2 minutes shorter than the theater release, has a few extra scenes and is missing some others, is in black and white, and has a time-code at the bottom. This version has 4 major differences:
Alternate scene:
The scene were Adam attempts to leave the house after him and his wife dying is different.
The film ends with a final exterior shot of the house
Instead of a desert he sees empty darkness filled with rolling cogs. Extra Scenes:
There is an added scene where Lydia is developing the pictures she took of Adam and Barbra. Then after her mother yells at her and blames her for cutting holes in her sheets Lydia runs upstairs and tries to convince her dad the pictures are real. There is more to the scene where the adults search the attic for the ghosts were we see the desert monster trying to eat Adam and Barbra as they hang from the attic window. Finally there is an extra 2 minute scene at the end were we see Lydia riding her bike home from school and her parents talking to Jane on the phone telling her they do not want to sell the house. Lydia's dancing scene is shorter in this version, and there is no scene with Beetlejuice in the waiting room.
Edited into Terror Toons (2002)
Day-OTraditional, lyrics by William A. Attaway and Irving Burgie[Incorrectly credited as written by William A. Attaway & Irving Burgie (as Lord Burgess)]Performed by Harry BelafonteCourtesy of RCA Records. This is by far Michael Keaton's best performance. Every time he comes on the screen he displays such an eccentric performance that it rivals Jim Carrey from 'The Mask', only without as much help from computers. If his role calls for gross he brings revolting; pushy he brings offensive; witty he brings hilarious sarcasm.
My favorite scene by far doesn't even have Michael Keaton in it
One of my few complaints is that he doesn't get enough screen time, although he does have a large portion of it, mostly going to Gena Davis and Alec Baldwin.Tim Burton's directing is great. Anyone who has seen this will remember it as the dancing dinner scene. If you haven't seen it then you must have grown up under a rock or been born before I was.